By Alley Carter, author of the YA series The Gallagher Girls Are you a plotter or a seat-of-your-pantser? If you hang out around enough writers you’ll eventually hear that question. And it’s a pretty good one. Everyone has a different approach to plotting. Some people just sit down and start writing; some agonize for weeks or months…
by Melanie This map is kind of the way I see all stories. At the bottom, you can identify characteristics, like the seven deadly sins, and a comparison to the seven heavenly virtues, or Gandhi’s list of sins, or whatever, so you are ready to compare and contrast. The mini circles on the edges can…
Fiction writers generally come in two kinds: those who are strong on plot, and those who are strong on characterization. Rarely is a writer brilliant at both. Thus, even if you excel at great story premises, foreshadowing, plot twists, and careful pacing, you may still receive rejections with critiques pointing to ‘two dimensional’ or stereotyped…
by Crawford Kilian Contents Foreword Developing Efficient Work Habits Elements Of A Successful Story In the opening… In the body of the story… In the conclusion… Throughout the story… Style: Checklist For Fiction Writers Manuscript Format Storyboarding Ten Points on Plotting The Story Synopsis Understanding Genre: Notes on the Thriller Symbolism and all that The…
by David Alexander Thirty-odd books ago, when I began writing my first action thriller, the initial installment of the Phoenix series (Leisure Books), I decided to take a critical look at the genre. I wanted to craft dynamic action scenes that would give the reader the most bang for the buck. I was anxious to…
Scene and sequel are two of the most important components of plot, but they also seem to be two of the least understood. If plot were an engine, scene and sequel would be the pistons powering the drive shaft. Writers striving to turbocharge their writing might want to fine-tune their use of scene and sequel….
by Laura Backes, Children’s Book Insider, http://cbiclubhouse.com Previously in the pages of CBI I have often written about the basic structure for children’s fiction: a character encounters an obstacle or conflict of some kind, and then resolves it through his or her own purposeful action. This makes up the events of the story, or the…
by Laura Backes, Children’s Book Insider, http://cbiclubhouse.com Great fiction appears effortless to the reader. The characters and setting are so real, the story so believable, that the reader is completely unaware of the author behind the words. The smoothness of the text belies the hours of hard work and practice that went into its creation….
A vivid setting makes your fiction more believable. It can also build the mood of your story, creating, mystery, suspense and even conflict. You can create vivid settings with some hard work and diligent attention to detail. Let’s try building a memorable setting ourselves. We’ll start with a simple setting and see if we can bring…
If there was ever any doubt about this being the golden age of sef-publishing, these statistics should demonstrate what a great time it is to be an author. Hugh Howey, author of the bestselling, indie-original science fiction series Wool, has published a report on independent author earnings from ebooks sold on Amazon. Here are some…
Everyone has a story to tell. What’s yours? There’s no greater gift to share with your loved ones than the story of your own life. Whether you want to share your special moments with friends, family members, future generations, or the general public, it’s definitely worth the time to record the important events of your…
Build your characters like a pyramid, viewed from above. Your readers should focus first on your protagonist, who is at the top of the pyramid. Develop a multi-page character sketch for the protagonist before you write anything else. Be sure to include the protagonist’s flaw, because overcoming that flaw to solve a problem is what…