Most writers treat short stories like compressed novels. The form has a single job: show one moment of irreversible change. A novel carries multiple characters, intersecting problems, a web of subplots. A short story can’t. The only territory is one crack in a life, and what fell through. The student stories that don’t work share…
First-person present tense is the most seductive mistake in contemporary fiction. Writers discover it in published YA or literary novels and try it themselves. The logic seems sound: “I run down the hallway” feels more immediate than “I ran down the hallway.” More urgent. More cinematic. What gets lost is narrative distance. Distance is a…
Most subplots in first novels exist to fill pages. The writer adds a love interest with a job problem, a best friend going through a breakup, a mystery at the office. Each gets a few scenes, then wraps up. Nothing technically wrong. But the book feels padded. The reader skims. The subplot is answering a…
Plot vs. Story: The Key to Writing a Compelling Novel Many writers, even seasoned ones, often confuse the terms plot and story, using them interchangeably. However, as I explain in How to Fix Your Novel, understanding the crucial difference between these two elements can significantly improve your writing. By keeping plot and story distinct, you…
Lester Dent (1904–1959) was a prolific pulp fiction author who wrote hundreds of stories. He is best known as the principal author of the Doc Savage series, featuring a superhuman hero. Dent developed a formula—a master plot—for writing a 6,000-word pulp story. It has proven effective for adventure, detective, western, and war fiction. Here’s how it starts:…
Author Ian Fanselow breaks down his methodical approach to writing with an example scene from his new novel “Worlds Apart” I am a very methodical person and planning is my strength. So when I learned about the idea of “Scene and Sequel” it immediately clicked for me, and I developed a system I used for…
mww42 Manuscript Evaluation ChecklistDownload This topic is covered in depth in our Novel Writing Workshop.
This handy chart was created by Advanced Fiction Writing student David Lovelock, who explained: When constructing outlines for a novel, I like to create a one-page overview that allows me to visualize and move my ideas around. Attached is what I’ve created to help with creating the main points of a Three Act Structure. I…
Moana has been on my mind recently thanks to Dwayne “The Rock” Johnson’s adorable video singing his rap to his one-year-old. Like most kid’s movies, Moana’s structure is impeccable. And, like most musicals, some of the nine story structure checkpoints even get their own song! Here’s how this movie breaks down: Act 1 Hook The…
Like many romance novels, this book has two protagonists. That means there are two complete sets of story structure checkpoints woven together. First, here’s a quick summary: Stella Lane is a smart woman. She loves numbers, statistics, and algorithms. She has very little dating or sexual experience because, frankly, she doesn’t find it that appealing….
I would like to sincerely thank Steve and Dani for giving me the opportunity to share my experience writing Sade: We’re Moving to Canada! on this blog, and to provide a free copy of the book to the Writing Academy community. I have been writing on and off since I was a kid. I describe…
By Melinda Goodin Those who have read my work know that my stories tend to start with a bang — literally. If it’s not a space station exploding, it’s a church catching on fire or a laboratory or… And the pace gets faster from there. Critiquers have often commented that they ended up feeling breathless…
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